Sylwester Ambroziak’s sculptures depict deformed, human-like figures with short legs, elongated torsos, and long arms, reminiscent of the aesthetic of folk religious statues or African figurines. He subjects them to grotesque distortion, making them almost provocatively ugly. Ambroziak draws inspiration from traditional religious cultures, including African and Amazonian, blending these influences with the visual language of mass culture, comics, and animation.

Devoid of individual facial features, the figures do not portray specific people but instead become a universal image of humanity and experiences shared by entire communities. Their schematic form contrasts with the rich expressiveness of their movement and gesture.